{"id":888,"date":"2021-01-21T09:02:58","date_gmt":"2021-01-21T08:02:58","guid":{"rendered":"https:\/\/anthony-guerree.com\/en\/?p=888"},"modified":"2026-02-04T16:00:54","modified_gmt":"2026-02-04T15:00:54","slug":"odette","status":"publish","type":"post","link":"https:\/\/anthony-guerree.com\/en\/odette\/","title":{"rendered":"Odette"},"content":{"rendered":"\n

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\"Odette
\u00a9 Roland Tisserand \u2013 at Cornette de Saint Cyr<\/figcaption><\/figure><\/div>\n\n\n


\u201cShe had in her hand a bunch of cattleyas, and Swann could see, beneath the film of lace that covered her head, more of the same flowers fastened to a swansdown plume. She was wearing, under her cloak, a flowing gown of black velvet, caught up on one side so as to reveal a large triangular patch of her white silk skirt, with an \u2018insertion,\u2019 also of white silk, in the cleft of her low-necked bodice, in which were fastened a few more cattleyas.\u201d<\/p>Marcel Proust, Swann\u2019s Way<\/em><\/cite><\/blockquote><\/figure>\n\n\n\n

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The Youth of Moses, <\/em>detail Jethro’s -daughters, <\/em>Sandro Botticelli 1481-1482<\/figcaption><\/figure>\n\n\n\n
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Flower and leaf (with parallel ribs) of cattleya<\/em> (from Marcel Lecoufle), French Orchidophilia Society.<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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Odette, the character<\/h3>\n\n\n\n

In Swann in Love<\/em>, Marcel Proust recounts the encounter between Swann and Odette de Cr\u00e9cy, a maintained woman, to whom he finds resemblances to one of Jethro’s daughters in Botticelli’s work.<\/p>\n\n\n\n

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Meeting Odette at the Verdurin salon for the first time, he finds her unattractive, though speculates that others may think her beautiful.<\/p>\nMarcel Proust, Swann’s way<\/em><\/cite><\/blockquote>\n\n\n\n

For Swann and Odette, “to make catleyas” is the way of saying “to make love” :<\/p>\n\n\n\n

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But he was so shy in approaching her that, after this evening which had begun by his arranging her cattleyas and had ended in her complete surrender, wether from fear of chilling her, or from reluctance to appear, even retrospectively, to have lied, or perhaps because he lacked the audacity to formulate a more urgent requirement than this (which could always be repeated, since it had not annoyed her on the first occasion), he resorted to the same pretext on the following days. If she had any cattleyas pinned to her bodice, he would say: \u201cIt is most unfortunate; the cattleyas don\u2019t need tucking in this evening; they\u2019ve not been disturbed as they were the other night.\u201d<\/p>\nMarcel Proust, Swann’s way<\/em><\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n\n\n

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\"Odette<\/figure>\n\n\n\n
\"Odette<\/figure>\n
\u00a9 Anthony Guerr\u00e9e<\/figcaption><\/figure>\n\n\n\n
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Maison Louis Drucker’s archive<\/figcaption><\/figure>\n\n\n\n
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Excerpt from the research notebook<\/figcaption><\/figure>\n<\/div>\n\n\n\n
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From Literature to Design<\/h3>\n\n\n\n

To a rattan chair<\/h4>\n\n\n\n

The Second Empire was the golden age of rattan furniture and saw the development of the rattan craft. The oldest rattan seating factory in the world – the Maison Louis Drucker was founded in 1885 and still exists in Gilocourt. Rattan is a palm stem imported from the Asian rainforests during the colonial era. The rattan bistro chair symbolises the Parisian terraces and the cheerfulness of the French capital. <\/p>\n\n\n\n

The floral form and the use of plant materials in the design of the Odette chair is a reference to the catleya of the character from In Search of Lost Time<\/em> whom Swann liked to \u201crearrange”.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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ODETTE <\/em><\/strong>– bistro chair<\/p>\n\n\n\n


Dimensions : 50 x 42 x h 100 cm s.h. 45 cm
Structure in Malacca rattan
Seat and backrest in braided Raucord
Pattern & colors to be selected in the chart
Produced and edited with Maison Louis Drucker<\/p>\n\n\n\n

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PRICE REQUEST<\/strong><\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u201cShe had in her hand a bunch of cattleyas, and Swann could see, beneath the film of lace that covered her head, more of the same flowers fastened to a swansdown plume. She was wearing, under her cloak, a flowing gown of black velvet, caught up on one side so as to reveal a large […]<\/p>\n","protected":false},"author":1,"featured_media":913,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[16],"class_list":["post-888","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chairs-lost-time","tag-mobilier"],"_links":{"self":[{"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/posts\/888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/comments?post=888"}],"version-history":[{"count":23,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/posts\/888\/revisions"}],"predecessor-version":[{"id":16255,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/posts\/888\/revisions\/16255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/media\/913"}],"wp:attachment":[{"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/media?parent=888"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/categories?post=888"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/anthony-guerree.com\/en\/wp-json\/wp\/v2\/tags?post=888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}